Eran Kolirin (Hebrew: ערן קולירין) (born 4 November 1973) is an Israeli screenwriter and film director.
The most important thing for me is the tone, the feeling, the pace. But why I'm doing this is not very clear to me. It's much more of an instinctual thing than an analytical process.
I'm a complete control freak. We worked a lot on the pace and where to put the silences. We choreographed the gestures and movements. We had a lot of rehearsals and a lot of takes. Also, there's something special that comes out of those two actors: he's water and she's fire.
Everything you do with Palestinians in Israel someone will criticize.
At festivals there's always one spectator from Egypt who says, 'I like it, it moved me, reminds me of so many things. ' I get a lot of reaction from the Arab world at fests. But the percentage of people from the Arab world who like it should be the same as anywhere else.
I get a headache when films are too filled up with people. And I don't understand what's going on if there are too many extras walking around. This film was very comfortable for me, I want to see just the actors. This is how I can concentrate.
Jay Adams
Bert Hardy
Jefferson Davis
Manuel Alvarez Bravo
Les Dennis
Rick Majerus
Francoise Mouly
Kathleen Moore
Downtown Julie Brown
John H. Vandenberg
Don Paterson
Philip K. Howard