The same people neglecting and hating are the ones going through issues in their own lives, and they're scared to face that.
There's always going to be a fight between mainstream and underground because the mainstream is a very small bubble, and the underground scene is a very small bubble, and they both see themselves as secret societies.
At a label, you are confined to the team you have, but I did all my solo work myself, and that makes you more agile and able to go into weirder corners.
The only person who can confine you is yourself.
I had to appreciate other things about music, like the writing and the cadence and dealing with producers. I became a student. I wanted to learn the actual idea of what this industry was before I could creatively speak a lot of the things that I wanted to speak.
I thought if I gave people all of my journey in one go, it could be overwhelming and easily forgotten, and I didn't want to make an album where the single was so popular that you overlook the whole record. So three parts felt right - it's a number that can't be divided into.
Even in independent music, people push towards radio. It is very political.
Major labels limit you, but I also learned my tricks from getting around that.
I grew up in the dance school my mother owned, and I see everything in body shapes, everything visual.
We get discouraged sometimes when people look at surface only and neglect the message.
I've always been an outsider kid. But I had always wanted to be in a group - growing up, I loved bands like the Cranberries and K's Choice.
I'm just being the artist that I would have loved if I was a child.
I'm not going to say I'll never rock with a band, because I'm too much of a fan of the aesthetic of a great band. But a girl group? Not again.