When a certain piece of music penetrates a person, a resonance is set in motion and an inner voice says: "I like this resonance. It elevates me. It develops hitherto unknown possibilities in me. I don't recognize myself. This is very interesting.
If aught I have said is truth, that truth shall reveal itself in a clearer voice, and in words more kin to your thoughts.
Hitler had this understanding that you speak to people's deepest, darkest emotions and give them voice that can be incredibly effective.
Animals don't have a voice, so I think it is our job to give them one.
Writing in other voices is almost Japanese in the sense that theres a certain formality there which allows me to sidestep the embarrassment of directly expressing to complete strangers the most intimate details of my life.
John Fiedler's voice was kind of like the wind blowing through tall grass. It sounded homey and it sounded comforting.
A lot of artists don't like the sound of their voice. They're put off by it.
The voice you believe will determine the future you experience
Actually, I think the average voice is like 70 percent tone and 30 percent noise. My voice is 95 percent noise.
[T]he people of Iraq have spoken to the world, and the world is hearing the voice of freedom from the center of the Middle East.
And therefore we must seek dialogue in this networked world. We must ask which voice was actually attempting to make itself heard and saw no other possibility of gaining a hearing. To that extent, for a while this also represented a forced opening of a cosmopolitan view.
And her voice is a string of colored beads, Or steps leading into the sea.
All those "getting hitlosing rings" sounds tend to be recorded toward the end of a recording session. Depending on the type of game, those efforts and screams can be pretty rough on the voice, so they usually like to record them at the end. You might do hundreds of versions of vocal sounds for a game and you can come out a little hoarse afterward.
Billie Holiday's voice was the voice of living intensity of soul in the true sense of that greatly abused word.
English audiences of working people are like an instrument that responds to the player. Thought ripples up and down them, and if in some heart the speaker strikes a dissonance there is a swift answer. Always the voice speaks from gallery or pit, the terrible voice which detaches itself in every English crowd, full of caustic wit, full of irony or, maybe, approval.
Among our tasks as witnesses to the love of Christ is that of giving a voice to the cry of the poor.
I don't grasp things this early in the day. I mean, I hear voices, all right, but I can't pick out the verbs.
Twitter represents a collective collaboration that manifests our ability to unconsciously connect kindred voices through the experiences that move us. As such, Twitter is a human seismograph.
Choosing happiness is a scary thing. Choosing love is a scary thing. When I was in the war, not only did I not have a voice, but I had to make myself not be heard, not be seen, become dumb, mute, blind, invisible, just so I could survive. When you fall in love, you become alive, all of a sudden you are singing. For me, there was a fear that the person I love would one day leave me, whether by their own choice or that they would die. How was I going to survive that? Choosing love and happiness is to know life goes on. I had to believe that.
A singer's biographical film should have their music and their voice.