Being in one's 50s is a powerful time.
That's where I live, a junkyard in a neighborhood of junkyards. We have three tractors from the 1940s and '50s, several old pickup trucks, and a pile of scrap metal.
I lived in Italy for a number of years and I was really digging around trying to get my hands dirty, trying to learn about Italian music. And what I ended up gravitating towards was this stuff from the '50s and '60s and maybe early '70s, where there were these incredibly talented pop singers that weren't using pop bands.
I can think of a lot of women clients of mine who are well into their 50s or 60s who are still quintessentially very elegant.
They say that the best furniture and clothing design from the '50s and '60s is Scandinavian or Milanese.
Zombies, vampires, Frankenstein's monster, robots, Wolfman - all of this stuff was really popular in the '50s. Robots are the only one of those make-believe monsters that have become real. They are really in our lives in a meaningful way. That's pretty fascinating to me.
Well, probably the best way to put it might be that at some time, not just in an instant, but over some period of time I became aware of the fact that I wanted to document examples like Kroger or Piggly Wiggly in the late '50s, early '60s.
In the early 50s in the US, there was what was called McCarthyism and the only reason it succeeded was that there was no resistance to it. When they tried the same thing in the 60s it instantly collapsed because people simply laughed at it so they couldn't do it. Even a dictatorship can't do everything it wants. It's got to have some degree of popular support.
You go back to those films of the '40s and '50s and hear the dialogue, the way the people played off each other, the wordplay. I think we've really lost that in movies.
The mood of the '50s is like today.
When I started off in Wales, I sang and accompanied myself with guitar in the '50s. And then I got a band together, which is a rhythm section, really. I used to do a lot of blues, and rhythm and blues, and '50s rock 'n' roll and country, and all kinds of stuff.
A lot of my audience are in their 50s. But they want me to pretend to continue to be pretending.
I was trained in the '50s as a New Critic. I remember what literature was like before the New Critics, when people stood up and talked about Shelley's soul and such things
I love a chance to shoot real locations, because in films in the earlier days before people traveled as much, it was exotic to see a film set in Switzerland, and that area has been taken over by CGI, mostly, and fantasy landscapes. It's unusual to see this much landscape, people say it's old fashioned. So what you're referring to is there was that period in the '50s and '60s when there were epics and you saw landscape.
The 60s were a continuation of the 50s much more than people realized. Certainly in some countries, like Britain, there was still a culture of deference, whereas in the 70s we really are in a time of angry transition. The generation that came into young adulthood in the 70s couldn't find jobs; that wasn't true in my generation. They entered a time when two depressing things hit them both at the same time.
[Robert Gottlieb] wouldn't have published 'Remembering Denny'. Denny was a Rhodes Scholar. He was on the swimming team. Had this great California crew cut and this great smile. Life magazine covered his graduation, and Alfred Eisenstaedt photographed it. We all expected him to be president some day. But he committed suicide when he was in his 50s. If he were gay in the 1950s, then the rest of what I wrote was commentary because life was so miserable for gay men back then. And that's why he committed suicide.
At that time, when I started, in the '50s, cinema was very classical in its aims.
Using int made sense in the 50s. Not any more
Mainly horror movies and exploitation movies and a lot of stuff comes from those press books from those old movies. Lines out of old movies, comic books that we collect, all the old horror comics of the 50s, probably about the only comics that we collect are obscure horror comics, the real sick ones from the 50s. Some stuff comes from there but mainly just old records, old rockabilly records and that stuff, singles mainly, 45s.
To some, the '50s were a decade marked by the banal, the predictable.
