I'm sitting in the bus station, minding my own business, reading 'Ta-Da!' magazine; a magazine by and for gay magicians, but that's a different story.
I didn't care for most of the books I was being asked to read in school. I started reading like crazy right after high school when I got a job in a mental hospital. I was working my way through college, and I did a lot of night shifts, and there was nothing to do. So I read like crazy, serious stuff, all the classics.
I think, because I've been working for a while, I've been working since I was ten, I had the fortune of reading a lot, a lot of scripts.
Recently I began reading my old diaries. Back to before the war. Gradually I became very depressed. The reason for that is probably that I wrote only when there were obstacles and halts to the flow of life, seldom when everything was smooth and even. . . . As I read I distinctly felt what a half-truth a diary presents.
We all have a hungry heart, and one of the things we hunger for is happiness. So as much as I possibly could, I stayed where I was happy. I spent a great deal of time in my younger years just writing and reading, walking around the woods in Ohio, where I grew up.
Read as much as you can, discarding negative or disturbing information. Learn by doing, and the Goddess and God will bless you with all that you truly need.
We can create the sensation of community through the accrual of actions, and that's often the clichéd way that storytelling is talked about, as someone taking a solo, and that's great for lots of reasons. But I don't really like to feel like I'm forced to listen to it in a certain way, or that there is one master reading of performance. I think what we want from performance is multiplicity, which is lots of ways in and through it, because it's for lots of people, and it was created by lots of people, often.
When I wake up in the morning and I turn that film on, it's like reading a book and it's exciting. I don't read books, but if I read books it would be like reading a book.
I was reading an interview with Keith Richards in a magazine and in the interview Keith Richards intimated that kids should not do drugs. Keith Richards! Says that kids should not do drugs! Keith, we can't do any more drugs because you already f-king did them all, alright? There's none left! We have to wait 'til you die and smoke your ashes! Jesus Christ! Talk about the pot and the f-kin' kettle.
For instance, the notion of non-penal substitution. This idea, found in the work of the nineteenth century Scottish Reformed theologian John McLeod Campbell and based upon his reading of the letter to the Hebrews in particular, is that Christ offers up his life and death as a penitential act on our behalf, rather than as a punishment in our stead.
I have been reading Madame Roland's memoirs and have come to the conclusion that she was a very over-rated woman; snobbish, vain, sentimental, envious - rather a German type. Her last days before her execution were spent in chronicling petty social snubs or triumphs of many years back. She was a democrat chiefly from envy of the noblesse.
There's a different experience when you're reading a book rather than when you're seeing something on screen. When you're seeing a movie or TV show, it's a three-dimensional experience you're in the middle of, but when you're reading something, you're suppling the reality with your imagination.
As soon as we associate reading with a test, we've missed the point.
My dad read The Hobbit to me originally when I was young. So, it was the first imaginary landscape I ever had in my head from the written word. It gave me a passion for reading, thanks to my dad's performance of the book.
I think I wrote once that baseball in many ways is very much like reading. I said there are more bad books than bad ballgames, or maybe it was the other way around. I can't remember.
Indeed the general natural Tendency of Reading good History, must be, to fix in the Minds of Youth deep Impressions of the Beauty and Usefulness of Virtue of all Kinds, Publick Spirit, Fortitude.
Reading is the most rewarding form of exile and the most necessary discipline for novelists who burn with the ambition to get better.
We want our teachers to be trained so they can meet the obligations, their obligations as teachers. We want them to know how to teach the science of reading. In order to make sure there's not this kind of federal-federal cufflink.
I have a publishing company of books by me and books of others. It drew people to poetry readings and photo exhibitions and painting exhibitions that I've been doing for years before that.
THE WRITER can get free of his writing only by using it, that is, by reading oneself. As if the aim of writing were to use what is already written as a launching pad for reading the writing to come. Moreover, what he has written is read in the process, hence constantly modified by his reading. The book is an unbearable totality. I write against a background of facets.
