I want to build you a house with my bare hands and carry you over the threshold. I want too cook for you every evening and bring you tea in bed in the mornings. I want to read with you in front of an open fire, sipping a glass of wine. I want to drive you to the beach and lie next to you in the sun. I may not be a man of means, bit I want to take care of you as best I can.
We were so happy to be alive. There was a motel there pretty close. We had a big cup of coffee. Everybody had a room to themselves. But nobody wanted to go to bed. Everybody wanted to stay up and drink coffee and have doughnuts. We had made it. The weather was perfect when we woke up the next morning.
I may have been 15 or 16 years old when, on a Sunday morning, I was sitting at home together with my mother and sister, and the floor began to move under us. The hanging lamp swayed. It was very strange. My father came into the room. "It was an earthquake," he said. The center had evidently been at a considerable distance, for the movements felt slow and not shaky. In spite of a great deal of effort, an accurate epicenter was never found. This was my only experience with an earthquake until I became a seismologist 20 years later.
Sometimes you will do a close-up for a scene in the morning where you are totally distraught, then shoot the rest of that scene seven hours later. How do you hang on to that feeling all day without burning up, without going so far that you have nothing left to give when the cameras roll again?
The reality of living by faith as though we were already dead, of living by faith in open communion with God, and then stepped back into the external world as though we are already raised from the dead, this is not once for all, it is a matter of moment-by-moment faith, and living moment by moment. This morning's faith will never do for this noon. The faith of this noon will never do for supper time. The faith of supper time will never do for the next morning. Thank God for the reality for which we were created, a moment-by-moment communication with God himself.
My reading was good enough to play big-band charts, but I ran into trouble with Claude (Thornhill)'s theme song "Snowfall," which had a repeating bass line in D-flat that was very difficult for me to finger using my self-taught technique. I spent one morning figuring out an alternate fingering, and that started me on the way to learning a better use of the fingerboard.