From Bard, to Bard, the frigid Caution crept, Till Declamation roar'd, while Passion slept.
Don't you know. I am a ticking time bomb. I'm going to explode. This time, I may never be able to recover from it!
I never viewed screen drama as a vulgar form, or a lesser one, and I've never written it left-handed.
Let go. Let go of all the stress and drama in your life. It's not worth it, and your body is far too important - too precious - to be bothered by a simple psych-out. You will figure it all out eventually, so why make life more complicated?
The dance is the most universal of the arts, since, as Goethe justly said, it could destroy all the fine arts. It is an expression of all the emotions of the spirit, from the lowest to the highest. It accompanies and stimulates all the processes of life, from hunting and farming to war and fertility, from love to death. It enables, in turn other arts to come into being: music, song, drama. Despite all their riches, the dance is no formless complex, but a simple unity.
I really liked drama and being in plays, so when I was playing a character onstage and I could act like somebody else, then I wasn't scared or nervous, but I didn't like meeting new people when I had to be myself. That was scary.
My dream's simple. . and does whatever it pleases. I'm just moving in the direction of Seung Jo who's at the center of it.
In my first year at drama school, I did this kids' show called 'Let's See.
Other people have suggested that I write about teens because I'm perpetually stuck in that stage of my own development. That could very well be true. I would throw out that teens and tweens are just absolutely fabulous and the most interesting people on the planet. And it is a time of high drama, and everything matters.
I loved doing all those costume dramas. I didn't think, 'Ooh I've got to avoid being typecast' - you can't ever be dictated to by what other people think. I just do things because I fancy the parts and the directors.
When I approach villains, unless it's a drama, I'm a comedian, so I approach most things from a comedic point of view.
We are in constant danger of being not actors in the drama of our lives but reactors, to go where the world takes us, to drift with whatever current happens to be running the strongest.
I think I was always a drama queen. I really, really, really loved playing pretend.
I like dramas. I've always liked dramas. And I'm a pretty light person. I don't consider myself a very dramatic person. But I do like doing that onscreen.
When I was writing the script, I knew didn't want to make a sports movie. I was very clear that I wanted to make a sibling rivalry story. So when I was writing the script, the football was getting in the way of the drama. One day, I saw Michael Haneke's Funny Games, which is probably the most violent film I've ever seen - but the violence is off camera. When I finished watching the film, I said, 'Hey, that's what I have to do. ' Haneke gave me this solution.
Most British playwrights of my generation, as well as younger folks, apparently feel somewhat obliged to Russian literature - and not only those writing for theatres. Russian literature is part of the basic background knowledge for any writer. So there is nothing exceptional in the interest I had towards Russian literature and theatre. Frankly, I couldn't image what a culture would be like without sympathy towards Russian literature and Russia, whether we'd be talking about drama or Djagilev.
The Romans have provided a lot of writers with a model for various interstellar empires, of course, and no wonder. The Roman Empire is a really good example of a large empire that, in one form or another, functioned for quite a long time over a very large area. And over all that time, there was all sorts of exciting drama - civil wars and assassinations and revolts and bits breaking off and being forced back in. . . But I didn't want my future - however fanciful it was - to be entirely European. The Radchaai aren't meant to be Romans in Space.
The rosary is the book of the blind, where souls see and there enact the greatest drama of love the world has ever known; it is the book of the simple, which initiates them into mysteries and knowledge more satisfying that the education of other men; it is the book of the aged, whose eyes close upon the shadow of this world, and open on the substance of the next. The power of the rosary is beyond description.
I don't think that there's necessarily a side to drama that has to be completely bleak. You have to have a flicker of humor 'cause everyone has a flicker of humor, something they find funny in life.
If one drops dead in the street, friends and loved ones are shocked, stricken, but a long lingering death loses all nobility and drama, while relatives and friends await the inevitable end in a succession of weary anti-climaxes.
