Cause I'm just - I want to go to Amsterdam, and I want him to tell me what happens after the book is over, and I just don't want my particular life, and also the sky is depressing me, and there is this old swing set out here that my dad made for me when I was a kid. ' 'I must see this old swing set of tears immediately,' he said. 'I'll be over in twenty minutes.
January 8 has been a lucky day for me. I have started all my books on that day, and all of them have been well received by the readers. I write eight to ten hours a day until I have a first draft, then I can relax a little. I am very disciplined. I write in silence and solitude. I light a candle to call inspiration and the muses, and I surround myself with pictures of the people I love, dead and alive.
Books are magic: you never know where they're going to end up.
The love story between the hero and the heroine has to be at the center of the book. I think that's pretty true in my books. I usually write a secondary love story, with maybe nontraditional characters. Sometimes I write older characters. I'm interested in female friendships, and family relationships. So I don't write the traditional romance, where you just have the hero and the heroine's love story. I like intertwining relationships.
You can't just be reading books all the time and leave the writting of them to others.
Sugar Ray and talked about doing some articles together or writing a book together but dealing with Sugar Ray was a lot like fighting him. He would fake you in and then he'd drop you.
This act of piss, which can be considered sexual by some, a pleasurable experience, is at the same time total disrespect. I had once asked a friend to do this picture and he totally refused. So I carried the idea around with me for years. When I was invited to do a Honcho shoot, I approached Phillip, who was the barman at The London Apprentice, and fortunately he knew who I was. He had a copy of my first book, and that broke the ice. At the end of the shoot with him, I realized I could ask him to do this picture. I had waited four years to do it.
I'm a relatively disciplined writer who composes the whole book before beginning to execute and write it. Of course, you can't hold - you cannot imagine a whole novel before you write it; there are limits to human memory and imagination. Lots of things come to your mind as you write a book, but again, I make a plan, chapter, know the plot.
Scholarship was one thing, drudgery another. I very soon concluded that nothing would induce me to read, let alone make notes on, hundreds and hundreds of very, very, very boring books.
For it is humanly certain that most of us remember very little of what we have read. To open almost any book a second time is to be reminded that we had forgotten well-nigh everything that the writer told us. Parting from the narrator and his narrative, we retain only a fading impression; and he, as it were, takes the book away from us and tucks it under his arm.
Damning, with bell, book and candle Some sinner whose opinions are a scandal. A rite permitting Satan to enslave him Forever, and forbidding Christ to save him.
For out of old fields, as men saith, Cometh all this new corn from year to year; And out of old books, in good faith, Cometh all this new science that men learn.
What I am trying to say is that it is not without any value. The value of copies is that they can direct us towards the original. I was recently at the Louvre Museum and I was filming people who were viewing the Mona Lisa. I noticed the number of ordinary people, astonished, mouths agape, standing still for long stretches looking at the work, and I wondered, "Where does this come from? Are these people all art connoisseurs?" They are like me; through the years, we've seen this work in our schoolbooks or art history books, but when we stand before the original, we hold our breath.
I plan to learn enough to read you like a book.
The superior excellence imputed to the book, which imitates the products of antique and obsolete processes, is conceived to be chiefly a superior utility in the aesthetic respect; but it is not unusual to find a well-bred book-lover insisting that the clumsier product is also more serviceable as a vehicle of printed speech.
I have learned to do more with less, so you don't see the big books anymore.
Sometimes you change to survive, and some things you don't give up, or you're too prideful, and then you think well, what's pride? Is it a good thing? Maybe it's a bad thing. That's what I look at in my life. It's always a question in my life I look at, and I never find the answer, because if I did, probably I wouldn't have books to write.
We preach sermons, write books on apologetics, conduct city-wide evangelistic campaigns. For those alienated from the church, that approach no longer has the same drawing power. And for the truly needy, words alone don't satisfy; "A hungry person has no ears," as one relief worker told me. A skeptical world judges the truth of what we say by the proof of how we live.
So here I sit in the early candle-light of old age-I and my book-casting backward glances over out travel'd road.
So he lent her books. After all, one of life's best pleasures is reading a book of perfect beauty; more pleasurable still is rereading that book; most pleasurable of all is lending it to the person one loves: Now she is reading or has just read the scene with the mirrors; she who is so lovely is drinking in that loveliness I've drunk.
