Gary Hustwit is an American independent filmmaker and photographer. He may be best known for the Design Trilogy of documentaries, which examines trends in Euro-American graphic design, typography, industrial design, architecture, and urban planning. He told Dwell magazine, "I like the idea of taking a closer look at the things we take for granted and changing the way people think about them, whether it’s type or objects or whatever."Read about Gary Hustwit in Wikipedia
Everything in Athens is probably a good example. Any time when there really isn't a need for these facilities in these cities, but they get built anyway for the games, everybody has kind of wishful thinking about what the afterlife of these spaces is going to be. If there is not demand for it before the Olympics, there's probably not going to be demand for it afterwards.
Who know what life is going to be like. I mean, there was no demand for the spaces before. It's not like people were flocking to Sochi before; they just didn't have enough hotel rooms and arenas to fill the need. So that's what we'll look at when we go there. But we'll wait a few years until things kind of return to normal.
So many people that we met had some sort of connection to the [Olympics] games. Some story about how they volunteered there, or some sort of memory of it. It still is in the cultural memory and identity of these cities as much as it is in the physical and architectural memory. It's where these two things overlap, I think, that we're trying to explore with the photos.